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Thursday, February 22

An Open Letter to Tori Amos

Dear Tori,

How are things in England these days? I hear it's warm there in the wintertime, which is totally not how I picture England - that's so weird! Oh, me? I'm good. I had a good show the other night, but hey - something came up and I wanted to talk to you about it. (And I thought my blog was the most appropriate channel.)

So, we're both pianists, and do a lot of solo gigs where we kind of have to come up with unique arrangements for songs that typically benefit from having drums or even a more percussive guitar strum in them. I'm not saying all solo pianists have the same style, but there's only so much distinction one can make between various solo piano covers of the same song. I opened with Portishead's "Glory Box", and after the show someone informed me that you cover the song too. Which is fine -- it's a fantastic song, I'm sure you're doing a great job with it.

No, I was actually just wondering if you could leave some songs left to cover on solo piano. I don't want to step on any toes, or frogs that may be loitering near or on said toes, but you've done an awful lot of covers now. I downloaded a bunch of the bootlegs back when I was in college, and it's been more than a few years since then... I just don't know how many of them are circulating out there now. I mean, the "Famous Blue Raincoat" cover is obviously all yours, not to mention "Losing My Religion," "Smells Like Teen Spirit," "Killing Me Softly," and the whole cover album. And several of your singles.

Could we maybe work out a bidding system where you can call dibs on the next 10 covers you're going to record and/or play publicly, and then the rest of us can sort out who's going to do what? I just want to avoid embarrassing redundancies, like when Iron & Wine covered "Such Great Heights" a couple years ago and you couldn't go to an indie music concert without hearing someone do the exact same cover. Yeah, that was pretty funny! But let's work out a system where I can find a popular-yet-original signature cover that no one else has thought of yet. Thanks!

Kisses,
Ian

Monday, February 12

Next Show: February 20th

If you're single, and Valentine's Day is making you think of massacres instead of romance, do I have some songs for you...

Tuesday, February 20th / Skybar
Songs for Singles: The Anti-Valentine's Day Show
featuring a more timely, less musical shout-out to President's Day

518 Somerville Ave., Somerville, MA 02143 (T to Porter or drive - lots of parking!)
Doors @ 7:30pm / Music @ 8pm / $7 cover / cheap beer

Also featuring new original material plus covers of Portishead, Final Fantasy, and The Frames, the best damn band in Ireland, because if you can't get into a drink-your-lonely-cares-away mood with a bunch of Irish rockers, what's wrong with you? And please keep bringing your friends - it was great to meet some new folks at the last show.


See you next week!

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Friday, February 9

You are carrying:

I've been working on a song that revolves around the cliches and stereotypes of creative writing classes and the types of themes and motifs that are popular among McSweeney's authors and other lit geeks. I've come up with a pretty good list so far, but I feel like I'm missing some obvious ones. I also feel like my qualifications for writing about creative writing classes are as solid as my qualifications for writing about South America -- I've never been before, but I got really close. So I need a little help finishing this list off, especially from you lit geeks and former creative writing class stars. Here's my thematic/motivic inventory so far:

abandoned children
dysfunctional families
alcoholism (self)
alcoholism (others)
any element of magical realism treated with detachment or nonchalance
homosexuality in a context outside of post-1970s New York or pre-1990s San Francisco
precocious children
characters with significant sounding names that turn out being not so significant
self-referencing humor
self-self-referencing humor
self-loathing (endearing/humorous)
self-loathing (destructive/subsconscious)
loathing someone else (masquerading as self-loathing)
strange and/or menial jobs as a consultant, freelancer, or seasonally employed person that teach some lesson and make a good story, thereby letting the author rise above strangeness, meniality, and seasonal employment
sassy analysis of popular culture, esp. TV, 80s movies, 90s alternative rock, and references to classic literature thrown in for good measure

Any more?